Stephen W. Browne | Rants and Raves

CAT | Literature

Aug/09

6

Dane-geld

Note: This appeared as a weekend op-ed in my newspaper. I’ve used the Dane-geld trope before, in an email after the Madrid bombings, and it went viral. So sue me, it’s a damn good poem and expresses an Eternal Truth.

Dane-geld (A.D. 980-1016)

It is always a temptation to an armed and agile nation
To call upon a neighbor and to say: –
“We invaded you last night–we are quite prepared to fight,
Unless you pay us cash to go away.”

And that is called asking for Dane-geld,
And the people who ask it explain
That you’ve only to pay ‘em the Dane-geld
And then you’ll get rid of the Dane!

– Rudyard Kipling

Dane-geld (Dane-gold): A tax raised by Anglo-Saxon kingdoms to pay off Viking raiders in return for not ravaging their lands.

A while ago in these pages I explained why I thought the U.S. government probably couldn’t do anything for Roxanne Saberi, then imprisoned on espionage charges in Iran.

In hindsight, it seems I overlooked one possibility – they could buy her out.

And it appears they have. The price was the release of the “Irbil five” Iranian terrorists captured in Iraq, where they specialized in deploying anti-armor explosives that killed hundreds of Americans. There may have been other concessions we don’t know about yet.

This Tuesday I received a message from the Society of Professional Journalists that American journalists Euna Lee and Laura Ling had been released by the North Korean government after being imprisoned for 140 days and sentenced to 12 years hard labor – which in North Korea essentially means a sentence of death by prolonged torture.

The release stated, “Former President Bill Clinton arrived in North Korea today, Tuesday, Aug. 4, to negotiate the release of Lee and Ling, who had been imprisoned since March. North Korea’s… leader Kim Jong II pardoned and ordered the release of the journalists after meeting with Clinton for negotiations.”

With apologies to the SPJ, this is false and misleading on one essential point. President Clinton did not go for “negotiations,” the outcome was established before he set foot on the plane. He was there to pay a ransom: legitimacy for North Korea, tremendous “face” for Kim Jong Il, and most certainly more we don’t know about yet.

It is always a temptation for a rich and lazy nation,
To puff and look important and to say: –
“Though we know we should defeat you, we have not the time to meet you.
We will therefore pay you cash to go away.”

And that is called paying the Dane-geld;
But we’ve proved it again and again,
That if once you have paid him the Dane-geld
You never get rid of the Dane.

This is how small but unspeakably brutal countries hold rich and powerful nations to ransom. North Korea’s leaders were indifferent to the death by starvation of an estimated 300,000 to 800,000 people a year for three years in the recent, preventable famine.

We care deeply as a nation about the fate of only two of our own, in a deeply personal way. I could feel the anguish of their husbands, and my heart nearly broke to see Lee’s little girl run to hug Mommy when she got off the plane. Like everyone else in the country, I breathed a sigh of relief when we got these two back safely.

But let’s not fool ourselves, there is a price for this. One we’re all going to pay eventually. North Korea has demonstrated again they can get big concessions for a trivial cost. The Obama administration calls it “engagement.” Violence professionals call it “rewarding bad behavior.”

Somewhere down the road, we’re going to re-learn what Kipling tried to tell us a long time ago.

It is wrong to put temptation in the path of any nation,
For fear they should succumb and go astray;
So when you are requested to pay up or be molested,
You will find it better policy to say: –

“We never pay any-one Dane-geld,
No matter how trifling the cost;
For the end of that game is oppression and shame,
And the nation that pays it is lost!”

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Sep/08

27

"Sex in the City" and Auntie Mame

We watched the movie “Sex in the City” last night, from Netflix.

My wife has followed the series throughout, and I’ve watched it from time to time with her to fill me in on the backstory.

I’m not outraged by it, as some conservatives are. But by and large, I just don’t feel any connection to these people and their problems, trials and tribulations. They just don’t seem like my kind of people, living the kind of life me and my friends live.

Of course, that’s precisely the attraction the series must have had for some folks. Those of us who don’t have the finances covered to the point they don’t have to worry about paying for those up-scale New York apartments and lunches in tony restaurants, can concentrate on relationship issues to the exclusion of all else, and drop everything to get together with their buds whenever.

Would be nice if we could all be secure enough to concentrate on the art of living.

So at the end, Carrie marries Mr. Big. She’s 40, and you don’t get the idea they’ll have children, and that’s probably a good thing. Carrie is a perfectly sweet honorary aunt to Charlotte’s lovely adopted Chinese daughter, which is a part-time job. “Parent” is not something you can switch on and off, and frankly, Carrie and Big stike me as being a bit too self-absorbed to make room in their life for kids.

Charlotte is happily married and finally gets pregnant after being an adoptive mother for five years.

I have got to mention that adoption as a “priming the pump” phenomenon is well-known, though little understood, but many adoption agencies specifically screen childless couples who they think are motivated by this.

Miranda and Steve have a bad patch when Steve, frustrated by lack of noogie, confesses to a one-night stand.

Even Dear Abbie used to say, if you slip, don’t make that mistake again, bury it quietly and don’t burden your partner with your guilt.

Miranda puts him through hell for six months before she takes him back. Serves him right perhaps – but there’s a kid involved who has to go through this too, and there is zero time in the movie devoted to his perspective.

Smoking Samantha finds that monogamy is not for her, and dumps the much younger hunk who stuck with her through her chemo.

“You just compared him to chemo!” Charlotte observes.

Samantha frankly confesses that she’s much more into “me”, than “us.”

Good for Samantha, at least she didn’t pretend. Some women should not try to settle down, and men should not try to domesticate such.

Of course, she’s 50, and though fabulous still, how long is that going to last? Samantha is going to grow old very lonely, one suspects. Though perhaps as another honorary aunt to Charlotte’s (now) two girls, she’ll be a super and much-adored source of worldly wisdom for them as they grow into young women.

How Charlotte is going to feel about this when they start to bloom…

At any rate, I rather enjoyed the movie as light entertainment. Something was nagging at my memory though, and I only realized what this morning.

It was Auntie Mame.

Auntie Mame was a 1955 novel by Patrick Dennis. It was fiction, though strongly based on his freewheeling aunt Marion Tanner.

It was made into a movie with Rosalind Russel in 1958, then into a Broadway musical with a fabulous score, and filmed with Lucille Ball in 1974.

Camille Paglia said of it, “Auntie Mame is the American Alice in Wonderland. It is also, incidentally, one of the most important books in my life. Its witty Wildean phrases ring in my mind, and its flamboyant characters still enamor me. Like Tennessee Williams, Patrick Dennis caught the boldness, vitality, and iridescent theatricality of modern American personality. In Mame’s mercurial metamorphoses we see American optimism and self-invention writ large.”

That indeed we do. Some years back I got the chance to read it, and it’s what she said alright. There is real affection in it for the unconventional auntie who eats life like there was no tomorrow.

What Camille doesn’t seem to see however, is there’s a real pissed-off kid in the story too.

Auntie Mame didn’t choose to have kids, but got two dumped on her by the death of her brother. And while she’s often a fun aunt, she’s also an irresponsible flibertygibbet who just can’t seem to freakin’ grow up when that awsome responsibility gets dumped in her lap.

And incidentally, I’ve read that the real Marion Tanner did not like her fictional counterpart one bit.

I wonder, is this America? Bold, optimistic, self-inventing – and not really very responsible about our children’s future?

I mean hey, what did future generations ever do for us?

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May/07

12

At the Core

Issues of courage and cowardice have been on my mind a lot lately. In my reviews of ’300′ I mentioned that the disturbing thing about the bad reviews I’ve read isn’t that they didn’t like it, it’s definitely not to everyone’s taste, but that much of them seemed to be part of a reflexive dislike of any portrayal of physical courage.

In my post ‘Virginia’, I mentioned that the three responses to deadly danger in rough order of desirability are, 1) avoid it, 2) successfully run away from it, and 3) successfully fight back against it.

Any competent and ethical martial arts instructor knows that one of the difficult tasks of instructing boys and young men, is teaching when and how to escape and evade aggressors. Testosterone overload often makes men want to fight when they should run, or keep pounding on a downed foe longer than the law considers justified. (You could call that “losing by winning”, when you consider the potential criminal charges and/or lawsuits.)

One thing I like to do is to pose the question, “What is the highest military command skill?” I didn’t know the answer myself until it was pointed out to me.

Experts consider the highest command skill to be the ability to lead a retreat in good order.

Think about that for a minute. When in an untenable position, you may have to fall back to a one you are better able to defend. If it has to be done in the face of the enemy, it can all to easily turn into a rout – and then you’re screwed.

Circumstances alter cases of course. For a Greek hoplite, when the day was clearly lost he could possibly save his life by abandoning his heavy armor and running. (“He who fights and runs away… etc.) But if just one man did it too soon he could cause the collapse of the line. (Hence the Spartan expression, “Come back with your shield or on it.”) For a medieval pikeman facing cavalry, dropping his pike and running meant that the cavalry would likely run him down and take him from behind.

The point of all this is that running is not necessarily evidence of cowardice – it all depends on circumstances.

Americans proud of our preeminent position of power in the world, might do well to remember from time to time that our nation was populated largely by people who successfully used the strategy of running away.

Now if you’ll bear with me a moment (I promise, it’s actually heading for a point), I’d like to tell you about a science fiction story I read when I was in high school, lo these many years ago.

“At the Core” by Larry Niven, was part of his Known Space universe, set in the far future and involving his character Beowulf Schaeffer.

Beowulf Schaeffer is hired for a deep space exploration mission by the Puppeteers, an alien race described as looking like “a three-legged centaur with two Cecil the Seasick Sea Serpent puppets for heads.”

Puppeteers have a certain outstanding characteristic – they are cowards. All of them.

Puppeteers have an inborn mortal fear of, basically everything even remotely dangerous. So for dangerous tasks such as exploration they hire humans, whom they regard as crazy – but lucky. (A brave Puppeteer is by definition psychotic.)

They hire Beowulf Schaeffer to pilot a new kind of spaceship to the galactic core and report back what he finds.

What he finds when he gets there is that the galactic core has exploded in a chain of supernovas. In 50,000 years the blast wave and radiation is going to reach our galactic neighborhood, rendering it uninhabitable. He reports this and returns.

When he gets back to Known Space, he finds that all of the Puppeteers have fled the Galaxy.

Let’s break here and ask yourself what you’d do if your knew for certain that an unavoidable danger was going to wipe out all life on Earth and all of the nearer solar systems – in 50,000 years? Would you even lose any sleep over it?

Didn’t think so, neither would I.

Beowulf Schaeffer muses on this and comes to the same conclusion. We’d do nothing until the sky started to glow.

He thinks further on it. No Puppeteer ever pretended danger didn’t exist. He may have been looking for the best place to run, but he would never deny the necessity for running.

He concludes, “Maybe it’s humans who are cowards, at the Core.”

(Nice play on words there.)

To belabor the point just a little, it’s not necessarily cowardly to run from danger. As I said, it depends on the circumstances. Sometimes running can save your life, sometimes it gets you killed – or leaves those you love unprotected.

But to deny that danger exists?

I’ll deal more with this later.

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